Daniel Smith Artist Oil Colours

It's a great starting point for portraits-a convenient pre-mixed neutral peach color, opaque and warm. Use it to rough in areas, then add glazes and... more info

Semi-transparent Naples Yellow is a soft muted yellow and in mass tone has a slight Ochre cast. more info

Semi-transparent Nickel Titanate Yellow is a light sunny yellow in mass tone, and when mixed with white becomes a buttery yellow. more info

Hansa Yellow Light is a bright lemony yellow with a touch of green. This semi-transparent becomes even more illuminated when mixed with white. more info

Semi-transparent Hansa Yellow Medium retains some of the lemon brightness of Hansa Yellow Light, with added warmth and depth by leaning... more info

Azo Yellow is a bright mid-range yellow that lightens with white without any greenish undertones and mixes beautifully with other colors. This warm... more info

Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated and... more info

Daniel Smith offers a professional quality replacement for Cadmium Yellow Light Oil. Our Cadmium Yellow Light Hue is a mixture of modern pigments... more info

We use a mixture of modern pigments to mimic classic Cadmium Yellow Medium. It's a rich, orange-leaning school bus or sunflower yellow. Very strong... more info

Semi-transparent Hansa Yellow Deep is a rich golden squash color with touch of orange in mass tone, and when mixed with white becomes a mellow golden... more info

Transparent Indian Yellow in mass tone simply glows with a natural pumpkin color (not a bright orange) and when mixed with white takes on more golden... more info

A mixture of modern pigments that creates this opaque, classic medium orange - a perfect substitute for traditional Cadmium Orange. It's so richly... more info

Made for glazing, the pigment used in this color is naturally transparent; even brushed on straight from the tube, it will be influenced by any... more info

It's our gorgeous modern replacement for Cadmium Red Scarlet. It's a warm, glowing tomato red straight from the tube. Mix it with white to produce a... more info

Semi-transparent with a scarlet-orange undertone, it yields a warm peach color when mixed with white. more info

Offers a non-toxic, economical alternative to classic Cadmium Red. It's a vibrant, strong primary red, great both for mixing and painting straight... more info

Living in a luxurious state between magenta and fuchsia, Pyrrol Crimson is a delicious red just begging to find its way into your rose garden.... more info

Semi-transparent Permanent Red is a bright true red, and the coolest of our reds, except for Permanent Red Deep which it is equal too, though lighter... more info

Semi-transparent Pyrrol Scarlet is a tomato red, warmer that Pyrrol Red and mixes very cleanly. A modern synthetic-organic pigment. more info

Rich, deep true-red in mass tone, and when mixed with white a warm pink, Quinacridone Red is transparent and like all Quinacridones is vibrant and... more info

Semi-transparent Permanent Red Deep is a bright true red, and the coolest of our reds, except for Permanent Red which it is equal too, though deeper... more info

Semi-transparent Pyrrol Red is a fire engine red similar to Permanent Red, cooler than Pyrrol Scarlet and is a very clean mixer. A modern... more info

Rich deep red in mass tone, and when mixed with white a warm pink, Quinacridone Rose is transparent and like all Quinacridones is vibrant and mixes... more info

Rich, deep red-orange in mass tone and when mixed with white a clear coral, Quinacridone Coral is transparent and like all Quinacridones is vibrant... more info

Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and landscapes. It's equally beautiful at full strength or mixed... more info

Rich, deep red-violet in mass tone, and when mixed with white a vivid violet pink, Quinacridone Magenta is transparent and like all Quinacridones is... more info

Dark red-violet in mass tone, and when mixed with white a clear warm violet, Quinacridone Violet is transparent and like all Quincridones is vibrant... more info

Alizarin Crimson is a historical rich red color with blue undertones has been an important color on artists' palettes for hundreds of years, and is a... more info

We use a mixture of modern pigments to create this significantly more light-resistant alternative to classic Alizarin. It's more opaque than the... more info

Semi-transparent Potter's Pink a deep pinkish brown in mass tone with good tinting strength. When mixed with white becomes a delicate, neutral rose... more info

Manganese Violet is a semi-transparent warm, reddish violet that is very dark, almost maroon in mass tone. more info

Transparent Ultramarine Violet in mass tone is a very dark violet with a touch of red and is similar to Manganese Violet but with the warmer red... more info

Carbazole Violet is nearly black in mass tone and when mixed with white reveals itself as an intense, vibrant violet. more info

This mixture of alizarin crimson, ultramarine blue and viridian creates a beautiful neutral violet ideal for shadows. It has a subdued, delicate... more info

Indanthrone Blue is a deep blue-black in mass tone, and this transparent warm blue will remind you of denim blue when lightened with white or thinned... more info

Semi-transparent Prussian Blue is very dark in mass tone, and when mixed with white is similar to Phathalo Blue (Green Shade) though slightly... more info

Phthalo Blue (Red Shade) is dark in mass tone, very transparent with strong tinting power for mixing, a real workhorse color for your palette.... more info

A classic blue, French Ultramarine is a semi-transparent, intense blue, and nearly black in mass tone. A great mixer with other colors, and mixed... more info

Ultramarine Blue Deep is transparent and is very similar to French Ultramarine which is semi-transparent and a touch warmer. more info

Phthalo Blue (Green Shade) is dark in mass tone, very transparent with strong tinting power for mixing, a real workhorse color for your palette.... more info

Lapis lazuli has been prized for its beauty, its mystical and healing properties, and its perfection as a pigment. Ancient civilizations believed... more info

Cobalt Blue is a semi-transparent primary blue great for mixing or used by itself. more info

Semi-transparent Light Blue Violet is a cool light blue with a hint of violet, think light violet blue flowers. more info

A semi-transparent color, Cerulean Blue Chromium in mass tone, is a warm blue and becomes sky blue when mixed with white. more info

Mediterranean Blue is an opaque medium blue with a slight, very slight green cast, think deep clear Mediterranean water. more info

Manganese Blue Hue is a beautiful cool transparent blue. more info

Natural Sleeping Beauty Turquoise Genuine comes from the Sleeping Beauty Mountain in Arizona. This unique, vibrant sky blue pigment is lightfast and... more info

Cobalt Teal Blue is a clear, bright semi-transparent greenish blue. This gorgeous color makes great tropical sea colors both in mass tone and when... more info

Phthalo Turquoise is dark in mass tone, transparent and as with all Phthalos' has strong tinting power. This blue-green, peacock color is cooler than... more info

Amazonite Genuine is a strong and pure color with a surprising mineral luster that adds depth to any painting. A highly transparent quality makes... more info

Viridian is a transparent cool green with more blue than Phthalo Green. Has an excellent lightfastness. more info

Phthalo Green (Blue Shade) is dark in mass tone, very transparent with strong tinting power for mixing clear colors. Slightly cooler than Phthalo... more info

Phthalo Green (Yellow Shade) is dark in mass tone, very transparent with strong tinting power for mixing clear colors. Slightly warmer than Phthalo... more info

Cascade green takes its cues from the conifer forests, rushing streams and alpine meadows of Washington State. As you brush it on, enjoy rich,... more info

Hooker's Green is quite dark in mass tone, and in full strength a warm dark green, excellent for landscapes. When mixed white semi-transparent... more info

Semi-transparent Permanent Green has high-staining properties, and yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa... more info

Semi-transparent Permanent Green Light, is a lighter version of Permanent Green has the same high-staining properties, and yields a very clean,... more info

Chromium Green Oxide is a warm, opaque green perfect for the soft greens of mid-summer landscapes. more info

Dark green in mass tone, transparent Sap Green lightens to a clear olive green with none of the grayed tones in other olive greens and mixes cleanly.... more info

Semi-transparent Olive Green is a deep olive drab in mass tone and when mixed with white becomes a grayed sage green. more info

Semi-transparent Malachite Genuine is a clear, yellowish green made with pigment ground from the distinctively patterned gemstone. Used in ancient... more info

Transparent Terre Verte, roughly translated as "green earth", is a classic warm green that has been used by artists since antiquity. Has an excellent... more info

A wonderfully surprising opaque light green with the vivid color of tiny new leaves. Fresh and modern, tart as limeade, it's a great choice for... more info

A beautiful spring pea green, transparent Green Gold, mixes with white and becomes a tempered chartreuse. more info

Yellow Ochre is one of the earliest known earth pigments and was used by ancient man to paint onto cave walls. Transparent with excellent... more info

Yellow Ochre Light part of the Ochre family of pigments, are some of the earliest known earth pigments used by ancient man. Yellow Ochre Light has... more info

Ochre is one of the earliest known earth pigments and was used by ancient man to paint on cave walls. Natural Yellow Ochre is one of several colors... more info

Semi-transparent Raw Sienna is one of the earth pigments used by ancient man to paint onto cave walls. Similar to the Yellow Ochres, but with more... more info

Rich, deep golden-brown in mass tone and when mixed with white a clean gold, Quinacridone Gold is transparent and like all Quinacridones is vibrant... more info

Transparent Yellow Oxide is similar to Yellow Ochre, but is a much darker golden brown in mass tone with more yellow tones when mixed with white. more info

Transparent Earth Orange is similar to Raw Sienna, but is a much darker orange-red brown in mass tone with more orange tones when mixed with white. ? more info

Transparent Red Oxide, a rich and earthy burnt orange, is a wonderful addition to any palette. Create glowing glazes with this highly transparent... more info

Dark, golden-orange in mass tone, Quinacridone Burnt Orange is transparent and like all Quinacridones is vibrant and mixes very cleanly. When you buy... more info

Rich, deep red-orange in mass tone and when mixed with white a golden-orange sienna, Quinacridone Sienna is transparent and like all Quinacridones is... more info

Sedona Genuine, the ruddy hue of Sedona's famed red rock sentinels is made with rock from the Arizona desert. This timeless color - lightfast, richly... more info

Dark rich dark red-brown in mass tone, Quinacridone Burnt Scarlet is transparent and like all Quinacridones is vibrant and mixes very cleanly. more info

Burnt Sienna is made by heating Raw Sienna which is one of the original earth pigments used by ancient man along with Ochre and Umber. This earthy... more info

Opaque Venetian Red is an earthy red-brown and similar to Indian Red but with cooler tones. more info

Opaque Indian Red is a rich chestnut reddish brown, perfect for brick. more info

Made by mixing raw umber with quinacridone violet, this rich, deep maroon produces clear, deep glazes and has a purple undertone valuable for shadows. more info

Highly transparent yet deep, this rich brown creates stunning glazes and mysterious reddish-brown tones. Add an earthy sheen or capture the look of... more info

Asphaltum is almost black brown, the color of bitter chocolate. Its richness makes it a great foil for bright colors. Mixed with white, it produces a... more info

Tiger's Eye Genuine is made from the brownish-gold stone with rippling bands of light that remind you of cat's eyes.The gemstone, a member of the... more info

A Traditional painter's color, Burnt Umber is made by heating Raw Umber which transforms it from a dark greenish brown to a dark, brown with a hint... more info

Semi-transparent dark brown Raw Umber is one of the earth pigments used by ancient man to paint onto cave walls. Raw Umber has a slightly greenish... more info

Burnt Tiger's Eye Genuine a PrimaTek oil color, is made by heating Tiger's Eye Genuine which transforms it into a rough compliment color to itself... more info

Hematite Genuine Original Oil is the perfect stormy-gray neutral. Authentic mineral pigment gives this rich color a mineral luster and velvet finish.... more info

Transparent Sepia was historically made from cuttlefish ink, now this gray-brown pigment is manufactured chemically. Dark brown-black in mass tone,... more info

Semi-transparent Van Dyck Brown is a deep, dark brown mix of siennas and umbers, very similar to Sepia which is transparent. more info

Transparent Indigo in mass tone is very nearly black and when mixed with a touch of white or thinned with medium transforms to a dark denim... more info

Semi-transparent Payne's Gray is a cool bluish grey, almost black in mass tone. When mixed with other colors it's less intense than mixing with the... more info

Ivory Black is a semi-transparent warm deep black and is also one of the first pigments used by ancient man made by charring waste ivory (ivory is no... more info

Opaque Lamp Black is a cool velvety black, this is the most intense black. more info

Mars Black is a semi-transparent black. more info

Mixed White is Opaque, almost as strong in tinting colors as Titanium White, thinner in viscosity than Titanium and Zinc Whites, and is easier for... more info

Opaque Titanium White is a neutral bright white, brighter than Zinc or Lead White with excellent covering ability. more info

Transparent Zinc White is a very clean white to mix with colors, and is slower drying than other whites. more info

One of our Luminescent oil colors, Duochrome Aquamarine has a color shift between metallic emerald green and metallic blue depending on the angle,... more info

Duochrome Saguaro Green, one of our Luminescent oil colors, has a color shift from golden metallic olive green to metallic Yellow Ochre. This is more... more info

Iridescent Copper is a rich, bright, reddish brown with an all-over gleam that adds a patina of iridescent shine. Use either alone or mix with... more info

Iridescent Electric Blue is similar to a rich, bright, Mediterranean Blue with an all-over gleam that adds a patina of iridescent shine. Use either... more info

Metallic Richgold is a bight metallic gold with a slight green tint, cooler than Metallic Palegold. Use either alone or mix with regular oils to add... more info

Metallic Silver is a warm silvery silver with a metallic gleam, but cooler than Metallic German Silver. Use either alone or mix with regular oils to... more info

Pearlescent Black is a warm black with a slight shimmer. Use either alone or mix with regular oils to add a special gleam or effect to a color that... more info

Pearlescent Shimmer is a golden buff color on it's own, and when painted over darker colors, adds a golden shimmer to the darker color. When thinned... more info

Pearlescent White is pearly golden white on it's own, and when thinned with medium and painted over darker colors adds a golden pearlescent glow. more info